Monday, February 27, 2017

I Ching 57. Low Road

The wind blows where it will.

Let the wind choose your road.

Motives are pure because outcomes aren’t foreknown.

If there has been only small success, there can be more.

A gentle wind arrives at every destination.

Friday, February 24, 2017

I Ching 33. Retreating

Never turn tail. When darkness wins,
brightness must yield—for a time.
Like a wounded lion, strike forwards
while clawing backwards—
until balance is restored.
Let any stragglers perish.
All power to the rear-guard fighters.


Sally in the Garden Assisting Sam

Insane stocks of
shit mapping piles of
mining schist
beside periwinkels whelks
and
priestlings under cover
of savanna lilies
not in the
guise of a
walked
ballistic clear queer
of halters larking
boulevards of squeem
trolling trolling car
trolling
cup roped engines
robust raddled so
in their raiment
rouged not quite
solidified
flaked flints hieroglyphs
precious limbs still
liminal thrusts all
clocked to fucking
hell

Wednesday, February 22, 2017

Cinquains: Yoga in Public

A lot
of standing on
one foot in cashier’s lines.
Other foot back in airplane. Or
forward,
hands up.
Switching foot to
foot. No one looks askance
at me. Or seems to notice me
at all.

Saturday, February 18, 2017

Villanelle: Well, Well, Well

Sitting with my feet in the sun
on a quilt on an antique dining room chair.
That settles it!—I’m the feet poet.

I’m the feet poet, don’t I know it!
The sunshine warms my tootsies bare.
Got rows to hoe and I’m gonna hoe it!

Everyone knows I’m the feet poet
and allows I own a pretty pair.
Excuse me, don’t mind it I show it!

But will the Trump regime allow it,
these toes-y rows on which I stare?
Fuck you, Trump, I’m the feet poet!

Sometimes it gets where you have to show it,
set your toes on the thoroughfare,
feet in the street and battle for it.

Hiya, Pinkie! Wanna sew it?
They called me Easy Money there.
Got rows to hoe and I’m gonna hoe it.
Go down, old Hannah, I’m the feet poet!

Thursday, February 16, 2017

The Printing Press in Pandemonium

Smooth-talking bully
manipulator (you said it)
test assignment necessary
delay tactic concocted
I wonder if that
is what Krishna meant

balk (I didn’t)
snappy funny
quick
if you can’t make ‘em die
at least make ‘em sparkle
concussion collusion
small spiral-bound notebooks
real paper
minimal expense and much admired
To polish the apple
stinger
bright butt out
come at decision
if he could count on it
or not
approach asked
cower badgered
what was the right answer?
It’s Summer
close enough in spirit
not truly amateurs
their heads the measure
smart and popular boy
turned out evil mid-pants
partial boycott weighed
one-man
weird and rinky-tink
4 or 8 pages
sharing the stage with another boy
strong-arm
slow worm
monkey rays
the look would not have been long
Newspapers paid
their fresh looks forward
their at once serial
pace
each investigating a different aspect
of an egg-and-spoon race
tragic things
hotch-potch hop scotch
contradict
whereas
floods
dessert receipts
Tell not show
(our mantra)
Kleist with a kind
of propulsion that is
hypnotic
a lot a shakin’
admired for conveying
the loudest cyclones


Tell what’s goin'
on
inside the cucumber

Tuesday, February 14, 2017

The Antennas Feel the Antennas

How the women in my life refuse my embrace!
No—
I refuse
to allow the possibility.
Pearl and Rhonda—I owe Pearl a message.
I played songs for two hours with Rhonda last night.
Didn’t we almost have it all?
as they say.
River’s mannequin girl.
She told me her name—Penelope.
Emmy-Lou silver braids under leather cowboy hat
across Indian-weave shoulders,
closed blue-shadowed eyes, black lashes,
full red lipstick,
red-scarf-wrapped neck.
Beautiful River in her house of art
in Stillwater.
How deeply I respond to the women in my life!
Whomever else I was going mention.
The happiness of sleeping with my lost sister Carol in the room with me
when I was eight and spending the summer with my grandparents in Illinois.
That girl the year before, when I was lying in a hospital bed with rheumatic fever,
running up to my bed and kissing me unawares.
Ache of another’s love that I
don’t know how to return.
Maybe I should give all these women pseudonyms,
so I won’t embarrass them.
Didn’t
we almost have it all
every single moment of my life?

Friday, February 10, 2017

Cinquain

Writing
cinquains, not hard.
Don’t worry about the
words. Virtually any word
will do.

Sunday, February 5, 2017

The Exorcism (Precious Blood of Jesus)

1.
All the kinds of things that run in my head—
real meditation impossible—
always reflecting and planning.
Is it obsessive?
Am I a monomaniac like Captain Vere?
As far as that goes, I think I know
which end of the rope I’m attached to.
I wonder what the Captain turns his mind to
when the execution is over, God bless him.

But what is it that we love about Billy?
Their physical, animal beauty.
Even that Chillingworth guy Billy has to smack
loves them, and so exploits them
as Iago exploits Othello.
Physical, animal beauty in that case too,
sexual excellence negatively mouthed
in Brabantio’s lascivious litigation.
How we love Othello’s and Desdemona’s marriage bed!—
beautiful picture of physical health!
wasted!

Our most restful moments
those we spend enjoying our own physical beauty.
Prayerful meditation tries to get beyond
bodily enjoyment, which it sees
as an occlusion,
a spot in the sun.
What happens is that the Devil persuades you
that what you love is impugned—
the bloody handkerchief, whiff of disloyalty.
The blow stricken,
second blow in waiting.

“Their honor was betrayed,
their human dignity was betrayed,”
says Paul Robeson. The Devil always comes
with the horrible analytics of sin.
“Motiveless,” as Coleridge says?
“I dug on your grave six long hours of last night,”
says the Devil,
just before he stabs you in the heart.


2.
The only good religion is a religion of life.
The blood of Jesus, the physical beauty
of the Body on the cross.
What could be more lovely
than Jesus’s bent knees,
Jesus's cupped animal navel,
twisted animal hands and feet—
until the neck breaks below the shoulders—
wind pipe crushed.

Fatality of the sin
that, they say, made this death necessary.
Jesus can take death away—
Billy, the Lamb, themselves;
the Moor black in Desdemona’s arms.

Now we can rest and meditate
truly.

Wednesday, February 1, 2017

So many days,

succeeding one another in marchlike
succession. But it’s all accidental—
the way the sun and earth
happen to behave. Nothing
at all foundational!

But here you encounter tasks
related to events occupying
stations in time. You leave your mark
on them, but thereafter
they can never change.

They remain as signposts,
significant in memory and in imprinted
present and future behavior.
But you come up against
giants you have to kill, villages

you have to protect.
How you perform may be remembered or
not remembered, may be falsified
and lied about. But its truth
will always belong to you.