All day yesterday
I wanted to write a poem
about being an ear.
about being an ear.
To be an ear,
like the great sea snail,
with its sticky brown foot!
like the great sea snail,
with its sticky brown foot!
(Not good if you’re Hamlet’s
father, right?—
the poison that
into the portals of his ear did pour...)
the poison that
into the portals of his ear did pour...)
I wasn’t sure how
to write it. The ear
has whorls,
to write it. The ear
has whorls,
whorls like the inaccessible
interiors
of conch shells, in which you can hear
the sea—
of conch shells, in which you can hear
the sea—
its mighty roar—
That’s what being an ear
should be like, I think!
That’s what being an ear
should be like, I think!
But the whorls of the ear
are like the petals
of a rose—
are like the petals
of a rose—
like one of Georgia O’Keefe’s—
her roses
are vaginas, right?—
her roses
are vaginas, right?—
presenting themselves as
beautiful
pink pussies,
vulva and clitoris.
pink pussies,
vulva and clitoris.
And, of course, you worry about
the bees,
but all those bees
are sweet, fun girls—
but all those bees
are sweet, fun girls—
those who want to trade
sticky warm
pollen with me.
sticky warm
pollen with me.
To be an ear—
a hum-bucket,
as it were.
a hum-bucket,
as it were.
. . .
I am my compost hole—
colorful pit in the yard,
engulfing everything I bring it.
colorful pit in the yard,
engulfing everything I bring it.
I dug it this summer, feed it
every day, and, when no one’s looking,
I step into it barefoot.
My pussy-ear is amazingly
strong,every day, and, when no one’s looking,
I step into it barefoot.
because of everything it can do,
and everything it puts into me.
and everything it puts into me.